Writer, script analyst and script developer: features, original pilots, series
treatments and bibles.
Original series
Short films, written and directed
Ainhoa has had a vivid imagination from a young age and took to writing early on. After her
degree in journalism, she discovered screenwriting during a course in New York and found her
calling. She has been honing the craft ever since, eventually working with a Script Angel
coach to bring her skills up to a professional level.
In 2022 she wrote, directed and produced her first play, Inside Lorena, a comedy
staged for five nights at the Bread and Roses Theatre in London, and played the lead. Her
training as an actor has shaped not only how she writes dialogue, but how deeply she
understands a character's wants and needs. Since 2026 she has also written and directed short
films made entirely with AI, work that forces a story down to its essence.
Ainhoa takes her inspiration from the unknown. She is drawn to the edges of our
understanding: how far altered states of the mind can take us, what the numbness of modern
life is doing to us, and what comes after we pass.
script development
She builds worlds by working out why things are the way they are, so that they hold
together on the page and on screen. She builds characters the same way, from their core
wants and needs outward, and shapes each arc so that what a character wants and what they
actually need pull against each other while the plot tightens around them and the stakes
climb.
Across a series she thinks in one long story rather than a set of episodes, and works the
structure so that every episode moves that story forward, every act break turns it, and the
stakes are higher at the end of each hour than they were at the start. And she has an eye for
the gap in a script, the place where things quietly stop adding up, and for the fix that
closes it before the story moves on.
Background
2012 – 2016Script reader (coverage), Aved Productions, Barcelona
2021 – 2022One-to-one screenwriter development with a Script Angel coach, on Beyond Protocol
2022Inside Lorena, a comedy: written, directed and produced, staged for five nights at the Bread and Roses Theatre, London
2011 · courseScreenwriting, Gotham Writers Workshop, New York
2011 · courseFiction writing, Gotham Writers Workshop, New York
2016 – 2018Business of Football documentary for Sky Sports: research, interview questions, final script and production
2017 – 2018The Working Woman Report, New York: wrote the pieces to camera from the interview material, then cut each episode together
LanguagesEnglish, Spanish, French
EducationBA Journalism, Middlesex University, London
AlsoTrained actor · script supervisor on three short films
reading room
The first pages of Beyond Protocol and Easterland, and a series
overview for each, are in a password-protected reading room. Full scripts, treatments and
episode breakdowns go out by email to named readers.
In a climate-ravaged 22nd century, a therapist accepts her estranged sister's
offer to join the Mars terraforming base, where the only way to save a scientist lost inside
an experimental lucid-dreaming programme is to go in after him.
Earth is past the point of no return. Northern cities shelter under shields while the
Drylanders of the south fight for a decent life. On Mars, Helena runs the terraforming project
for a corporation and will use anything to keep her team productive, including hallucinogens
they never agreed to. When one of her scientists doesn't wake up, she sends for the one person
who might reach him: her sister Jay, a therapist who walked away from that corporation years
ago and has never forgiven Helena for staying. Jay goes because the storm has taken her home
and the corporation is offering her family shelter. The pilot ends with the scientist awake
and Jay trapped in his place.
The series is a "means to an end" argument between two sisters, played out across a dying
Earth and a planet that might be a second chance.
EXT. MARS MOUNTAIN RANGE - DAY
The sound of a shamanic chant plays in the distance. A path of footsteps cuts through red sand towards the edge of a dry pool. Beyond it, the mouth of a cave. The patterns on the sand shift and glide at every drumbeat.
PIETROV, a skinny man in his late 30s, wearing a sleek t-shirt and trainers, begins to walk across it, sinking further at every step. With sand up to his ankles his breathing accelerates.
HELENA (V.O.)
(voice via a transmitter)
What are you doing? There's no
liquid water on the surface. Focus,
get to the cave.
Pietrov tries to push forward but can't move his legs.
PIETROV
I can't, I'm sinking!
HELENA (V.O.)
You're not. No such thing as
quicksand on the surface of Mars.
You've got solid ground under your
feet, picture it, push yourself up.
Pietrov is in waist deep and plunging fast.
PIETROV
It's not working!
HELENA (V.O.)
Focus! You can't possibly sink in
quicksand, you know this. Take
control Pietrov!
Pietrov's chin is touching the sand.
PIETROV
I can't.
Pietrov goes under.
HELENA (V.O.)
Pietrov, Pietrov, respond! Pietrov.
Adult animated series · 6 × 15 minutes · in development · trailer 1:13
In Easterland, the forgotten birthplace of Easter tradition, Bunny Supreme,
the last true believer in his community of rabbit-human hybrids, strikes a forbidden deal to
bring his sugar-addicted people back from the brink. But first he must do the impossible:
inspire a broken community to find the courage to change.
Nestled in a deep ravine in the ancient forests of northern Germany, Easterland was once the
birthplace of Easter itself, a community whose hand-painted eggs reached every corner of the
world. Then the Board of Easter Standards abandoned craft for mass production. Discarded
industrial sugar eggs now rain down into the ravine like bombs, and the sugar they leave
behind has made addicts of almost everyone still living there. A darkly comic, emotionally
grounded series about what happens to a community after industry leaves and addiction moves
in.
INT. KITCHEN - MORNING
A kitchen carved into the ground, walls of packed earth, warm and unexpectedly homely. Morning light spills through a ceiling skylight, pooling across the breakfast table. ERIKA, blonde-haired and methodical, grabs a coffee. FREDRIK, her scruffier twin, settles into his chair and digs into a bowl of cereal.
BUNNY SUPREME strides in, briefcase in hand, crisp suit perfectly fitted, ready for coffee.
BUNNY SUPREME
Good morning gang!
FREDRIK
Woohoo! Looking good sir.
BUNNY SUPREME
(chuckles)
It's the big day today, gotta look
the part!
ERIKA
You've got this, sir. It's a win-
win, they'll say yes.
The door slams open. LILY bursts in, golden-haired, hands on her knees, gasping.
LILY
Mildred is gone! I've looked
everywhere, the coop, the barn, the
field...
The room goes still. Bunny Supreme sets down his coffee.
BUNNY SUPREME
(untying his blazer)
She's probably wandered into town.
I can get her before/
ERIKA
(interrupting)
We'll find her sir, you go. We'll
be ok.
BUNNY SUPREME
(considering)
Stay together, keep your ears
peeled and... watch out for that
rain.
Seven women who have already changed their corners of the world are invited
to a sixtieth birthday dinner and handed a plan: topple a leader, install a woman, end a war.
A retired influencer, a CFO who looks too young for the job and is a maths genius, a hacker, an
ex-soldier, an NGO director who will one day run her country, a UN ambassador and a healer no
liar gets past. Something in the news hits home for the one who retired, and the dinner turns
into a mic-drop with a perfectly crafted and entirely doable plan.
Status In development. Series outline and character
work in progress.
toys
Short film · 2:03 · 2026 · written and directed
A five-year-old whispers a wish to her teddy bear. The voice assistant
mishears it as a command and offers to make her imaginary friends real.
She designs them out loud, beats the payment face-scan with her sleeping mother, and in the
morning a box arrives. Her mother recognises the toys inside as the creatures her daughter
has been drawing for years, and instead of being angry, she sits down on the floor and
plays.